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Photo by Bill Stover
‘Music
Man’ at Stages St. Louis offers warmth, two
of the best voices we have heard in any
production
by Daniel Hines
Publisher, America’s Seniors at
TodaysSeniorsNetwork.com
While ’76 Trombones’ played as a finale to
‘The Music Man’, the Stages St. Louis
audience did not give the usual standing
ovation, choosing instead to sit, clap and
hum along with the music to give the
performers their curtain call.
It wasn’t because the show lacked anything.
It was just that it was that the production
was like a warm and memorable evening
visiting with an old friend for an evening
that one really doesn’t want to end.
That’s a tribute to this presentation of
‘The Music Man’. It exudes warmth, backed
by strong performances, and offering two of
the most outstanding voices we have heard in
any production of any show we have seen in
St. Louis in Graham Rowat as Professor
Harold Hill and Christy Morton as Marian
(Madam Librarian).
Rowat is an impressive figure on stage but
it is the range and depth of his signing
that makes him memorable. Ms. Morton is a
lovely woman whose wonderful voice reminds
one of famed British soprano Leslie Garrett,
whom Michael Crawford described as ‘his
favorite soprano. If he could hear Ms.
Morton, he might have to ask Leslie to move
over.
When the Professor and the Librarian sing
‘Till There Was You’, the chemistry is such
that it makes one think of such great
combinations as Howard Keel and Kathryn
Grayson.
Rowat and Ms. Morton are supported by a cast
of characters who seem to be natural in
their roles, and who charm the audience.
Perhaps it’s because of Missouri’s proximity
to Iowa, but more than likely than that,
it’s because this is the type of show in
which Stages St. Louis excels…a great story,
wonderful music and the bringing together of
a cast that really seems to enjoy what it is
doing.
Gretchen Hewitt is absolutely hilarious as
Eulalie Shinn, the insufferable wife of
River City Mayor Shinn. Stages’ favorite
Whit Reichert is perfect as the frustrated
and pompous Mayor Shinn, continually
butchering the English language, perhaps
because of his frustration at being married
to Eulalie, plus being the Mayor of a place
like River City.
One of the highlights of any presentation of
‘The Music Man’ is the Barbershop Quartet
songs that provide a delightful backdrop
throughout the evening. Stages took the
opportunity to highlight the versatility of
some of its ‘regulars’ as Steve Isom, Ben
Nordstrom, Oliver Hix and Jacey Squires took
on the roles of the battling school board
members who bond through the magic of
singing. One of my particular favorites is
‘Lida Rose’ sung as a counter melody to
‘Will I Ever Tell You,’ sung by Ms. Morton.
Absolutely beautiful.
Eulalie Shinn’s ‘entourage’ of gossipy,
wanna-be society leader town ladies, played
with appropriate gusto by Lynn Humphrey,
Michelle Burdette Elmore, April Strelinger
and Kellie Frohnert, are perfect as they
fawn over Eulalie and do character
assignation on Marian.
A special note must be made of Spender
Milford, who plays Winthrop Paroo, the
younger brother of Marian. As anyone who
has seen the show know, Winthrop is troubled
by the death of his Father and a lisp that
embarrasses him and prevents him from having
any type of life…until he meets Harold Hill,
who teaches him to sing ‘Gary, Indiana’
because it’s a song without too many ‘s’.
Milford
blew the roof off the theater. He has
excellent projection, a gift many younger
singers lack, and his enthusiasm and
self-confidence are outstanding. This young
man is gong to have a great show business
career.
Peggy Bilo is wonderful as the
independent, hard-working no-nonsense Irish
Mother of Winthrop and Marian. And,
speaking of young performers, the Isom
family tradition as Stages St. Louis’
favorites is certainly going to be secured
by Abigail, daughter of Steve and Ellen Isom.
Put all this together and the stage
literally is set for a visit with an old
friend as we are reminded just how magical
‘The Music Man’ really is. It withstands
the test of time and never seems dated.
And, for the record, as the final curtain
was prepared to go down, the audience did
stand to applaud and express its
appreciation for a warm, wonderful evening.
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